Sense of Place
Castle Hill Center for the Arts (Patricia Miranda, Juror)
May 23 - June 9
Evanston Art Center
Christopher Art Gallery, Prairie State College
(Beth Shadur, Curator)
Chicago Hts, IL
June 5 - July 13
Encaustic 2017: Rebirth of An Ancient Medium
Bridgeport Art Center (Lelde Kalmite, Curator)
July 21 - September 28
In the Abstract
Lubeznik Center for the Arts (CarolAnn Brown, Curator)
Michigan City, IN
October 21, 2017 - January 6, 2018
Shelley Gilchrist, "Form and Iteration Across Mediums," ProWax Journal, No. 14, Joanne Mattera, ed. You can read my article here or - better yet - browse the whole issue here.
• Encaustic Art in the Twenty-First Century (E. Ashley Rooney, ed.), available here
• Studio Visit, Volume 35 (Jessica Roscio, juror)
In my sculptural paintings, curvilinear motifs and rhythmic ribbons of saturated color create a sense of motion and energy. Features of the natural world – specific scenes and landscapes – inspire me to use these organic design elements to convey the strong impressions that I retain as precise details fade from memory.
Working with organic shapes and moving lines has also led me further into abstraction, to exploring line and color as subjects in themselves. In paper sculptures, simple wavy lines gain power and mystery as shadows are developed through accretion, and on three-dimensionally shaped surfaces, painted straight lines become dynamic. Vivid and unexpected colors are prevalent throughout my body of work.
"Shelley Gilchrist . . . defies the boundaries of the rectangle and square, as her shaped grounds and surface design convey rhythms, organic patterns, land formation, and water motion."
--Kim Bernard, Encaustic Art in the Twenty-First Century
above: Motley Curve (front view and details) awarded Third Place at the Bridgeport Annual Art Competition in January. Fred Camper and James Yood, jurors.